Zaturnnah sa Maynila Part 2: Somewhere Out There

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How To Pace Comics

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We took a peek at compression and decompression in comics in the previous blog post . Now, let's look at pacing, or how to pace comics. Pacing is simply how fast a reader reads your comics. Much like compression and decompression, pacing allows you to highlight pivotal events in your story. And this is primarily done by influencing how long your reader stays on a panel. The longer the reader stays on the panel, the reading place slows down. The faster the reader stays on a panel, the reading pace speeds up. 1. By default, the amount of text you place on a panel dictates pacing. The more text, the slower the pace. Chris Claremont is known for having verbose panels during his acclaimed run on Uncanny X-Men . 2. When the size of the panel is small, the pacing quickens. Conversely, large panels slow down the pacing. 3. Then the amount of visual information (details) you have inside a panel dictates pacing. The more visual information, or the more a reader has to look at, the
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Buy Zaturnnah musical tickets online

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Ah, technology. As I've mentioned in a previous post, my family is selling tickets to the February 26 (Saturday) 8pm show of the Zaturnnah musical. My dear friend Jam has set up an online payment system using PayPal, so now you can reserve and pay for tickets to the aforementioned show through her blog ( http://tinyurl.com/zaturnnah-tickets ), using either your credit card or PayPal account. You'll also find an updated seat plan, so you can choose the seats you want. There are three ways to pay, and I've tested "Option 1." Works well. You can also reserve and pay for tickets to the March 13 (Sunday) 3pm show through her blog. Do check it out. If you have any questions, you can send an inquiry to her through: Mobile: 0929-6759214 Landline: 3767040 / 4009550 Email: jmayeronline [@] gmail [dot] com
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Comics Splendor One of the recently released films that I'd like to see, though will definitely be left untouched by local distributors, is American Splendor , a film based on the story of Harvey Pekar, the Ohio-based creator of the comic book of the same title. The R-rated film bagged the Grand Jury Prize at the 2003 Sundance Film Festival as well as the FIPRESCI award at Cannes, and earned accolades from critics all around (currently 94% on Rotten Tomatoes' Tomatometer). Beyond its premise involving an independent comic book creator with a day job (sounds familiar), American Splendor is interesting to me because of the way it's executed, a drama that's part documentary, with bits of animation. As described by Mike Clark of USA TODAY , "You'll also see a creative approach to storytelling that could well have blown up in the filmmakers' faces. In what could be his role of a lifetime, Paul Giamatti plays Pekar — as the real Pekar often appears on came
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