It's That Time Of Year...

-
...when I render myself scarce. Just like last year and the year before that, I'll be taking a hiatus from blogging, though I might holler from time to time when something comes up.

Thank you for sharing your time with me.

Sometime in the middle of the month, the Real Living team may head south to Boracay again, thus fulfilling my hidden wish. Let there be sun, please.

I must soon plunge headlong into my latest Graphic Classics assignment. Though the deadline is still a few months off, I shouldn't get complacent. I'll be experimenting again, art-wise--a cross between what I did for Siglo: Passion and what I learned from Ben Templesmith. Methinks I'll be able to churn out pages a bit faster. Methinks.

The Zaturnnah script is moving, and the more I work on it, the more insights I get. There's the danger of overwriting, but I've got one hand ready to yank a leash in case I'm tempted to stray too much. Just finished writing a "painful" Dodong scene... hmmm... Gotta put it out next year, darnit!

Plus, I owe someone a short comics tale about love and heartbreak.

Oh, and maybe you've heard that I'm slated to be part of a Read Or Die panel on the 11th. That's going to be in UP. Let there not be a sudden schedule snag.

Anyhoos, I hope you guys have a fantastic and blessed season ahead. Thanks again--your visits here are much appreciated.

Comments

Post a Comment

Popular posts from this blog

How To Pace Comics

-
Image
We took a peek at compression and decompression in comics in the previous blog post . Now, let's look at pacing, or how to pace comics. Pacing is simply how fast a reader reads your comics. Much like compression and decompression, pacing allows you to highlight pivotal events in your story. And this is primarily done by influencing how long your reader stays on a panel. The longer the reader stays on the panel, the reading place slows down. The faster the reader stays on a panel, the reading pace speeds up. 1. By default, the amount of text you place on a panel dictates pacing. The more text, the slower the pace. Chris Claremont is known for having verbose panels during his acclaimed run on Uncanny X-Men . 2. When the size of the panel is small, the pacing quickens. Conversely, large panels slow down the pacing. 3. Then the amount of visual information (details) you have inside a panel dictates pacing. The more visual information, or the more a reader has to look at, the
Click here to read more...

What Would You Do With 11 Billion Pesos?

-
The news industry is abuzz with reports of Amazon CEO Jeff Bezos'purchase of The Washington Post for US$250 million, said to come from the liquidation of his Amazon stocks. As of this writing, that amount translates to Php10.88 billion. (It's actually Php10.885. I just took out the 5.) If you had Php10.88 billion, what would you do? To put things in perspective, I made a few calculations, since I'm wont to doing these things as a mental exercise. The examples below do not take inflation into account. MALLS If you allot Php2 billion to start and operate a modest-sized mall, you can build five malls, and you've got spare change to invest somewhere else. (SM Aura was reported to have cost Php3.5 billion.) CONDOMINIUM If you allot Php1.5 billion to build a 300-unit condominium building (DMCI was reported to have invested Php 1.3 billion in a 560-unit Ohana Residences), you'll have seven such buildings. HOUSING If you allot Php100 million to build and furni
Click here to read more...

The Brilliance of 'Atang'

-
Image
I've never had a strong interest for kundiman or the sarsuela , so I watched Dulaang UP's Atang just for the performances. But when my tears started to fall during the latter part of the second act, I knew this was one for the blog. I don't remember the time when a stage production moved me so much to the point of a hangover. Directed by Alex Cortez with script by Floy Quintos and music by Von de Guzman, Atang is a story of love, sacrifice, artistic integrity, and finding one's place in the world. Young film actress Guia Almonte interviews the venerable Atang de la Rama in the latter's Tondo home. Since Guia had been given the chance to play the title role in an Atang biofilm, what better way to do research than to talk to the "Queen of Kundiman" herself? During the course of the musical, we not only celebrate the triumphs of Atang as an entertainment superstar during pre-War Philippines, we also learn of the hardships she endured during her marriage to
Click here to read more...