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Darn. I'm as bored as cow dung. :(

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Thirteen Things About Writing...

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I've posted a few drawings recently, so here's a little something about the writing part... Writing is like growing a friendship. In building your deep friendship with Writing, here's what to expect: 1) If you want to be good friends with Writing, you have to spend time with her. Mag-hang out kayo on a regular basis. Kayong dalawa lang. Mag-usap kayo. 2) You'll discover that Writing has her moods. Madalas na totopakin siya't hindi ka niya papakinggan. Gusto mo mang magsulat, but Writing will tell you she has a headache. Be patient with her. 3) Sometimes she'll try to get your attention. Tatawagin ka at 3:00 a.m. at gusto niyang magtelebabad. Worse, she might compete for your time, and your friends won't understand why you'd want to hang out with her. 4) Hindi sasabihin ni Writing ang lahat ng kanyang sikreto. It's your job to find out her secrets from other sources--books, other writers, websites, etc. She'll say, "Find out first, then we...
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How To Pace Comics

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We took a peek at compression and decompression in comics in the previous blog post . Now, let's look at pacing, or how to pace comics. Pacing is simply how fast a reader reads your comics. Much like compression and decompression, pacing allows you to highlight pivotal events in your story. And this is primarily done by influencing how long your reader stays on a panel. The longer the reader stays on the panel, the reading place slows down. The faster the reader stays on a panel, the reading pace speeds up. 1. By default, the amount of text you place on a panel dictates pacing. The more text, the slower the pace. Chris Claremont is known for having verbose panels during his acclaimed run on Uncanny X-Men . 2. When the size of the panel is small, the pacing quickens. Conversely, large panels slow down the pacing. 3. Then the amount of visual information (details) you have inside a panel dictates pacing. The more visual information, or the more a reader has to look at, the ...
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The musical made its final bow last March 5, and right now it's as if it had all been a dream. During the gap between matinee and evening shows, I took the chance to have my souvenir programme autographed by as many of the cast and crew as possible. We were at the small cafeteria directly connected to the backstage dressing room, and seeing everyone getting ready for the next show reminded me of those times when I was in theater, fidgeting over make-up and costumes and props. Because I didn't have a digicam anymore, I wasn't able to take any pictures, but the little notes scribbled all over my programme was enough to make everything memorable. The biggest surprise to me was meeting Bituin Escalante again, and discovering that she's the sister of Kalila Aguilos who alternated with Agot Isidro as Queen Femina. I couldn't hide my disbelief about their being sisters, but I guess Bituin was used to the reaction. We managed to do a little catch-up at the lobby before she ...
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